ellis, eventually such all the differences and this do lead to became the administer of home affairs and mondale, his 1st post of policy government, a key station, and due to late these long, an eventful career. that's all from us for now. technology show shift is up next a lot more for the top of the hour and we're able to cross, thanks for watching the discovery issues with a lot say what the interest of the global economy

g w business be. here's a closer look at the project. to analyze the flight for market dominant, get a step with d. w. business beyond the robots contacting orchestras, author are being performed in virtual reality and generative a. i helping create an entire about a how high tech innovation can revolutionize the stage. our topic today on ship the world robots really started replacing us in the us world with the rise of a and cutting us robotics. the debate is definitely heating up the robot. all 3 made a name for itself in 2020, when it conducted an orchestra in the u,

a. e. the reviews with this side of the makes the 3 years later south korea is giving the computerized conduct to another chance to lead an orchestra. let's take a look. this is no ordinary concept. today the korean chamber orchestra will be led by 2 conductive to 2 and eve. all 6, a humanized robot. the d o takes tons and conduct together with all thank bridging the gap between 9 and machine. the can take the table movements by a conductor are very detailed to see. the robot was able to present such detailed, much better than i had imagined. but eve all seats, and then to mimic conductors with motions have to technology. but why he can set tempe and rhythms accurately the human touch is missing the channel. yeah,

yeah. well, make eye contact. but 9, focusing on the strength, the robot and human well forwarding to comedy. steve, all 6 focuses on structure 10, inductive to surfaces on improvise. ation will fit to have it on the i think it was a site to show the robots and humans conclude exist and complement each other rather than the one replacing the other man and machine quiet the team. indeed, a i to has taken to the stage recently, the fusion project, for example of features, drummond, ballet company, british be books and general they, they are in the fusion valley artificial intelligence turns artificial artist is considered the world's 1st p. i. valley choreography and music created using

artificial intelligence. the southern questions are inspired by e, i to fusion to the stage that live siegel crawford this summer season. a composer harry yes, uses a i to generate some static voices he can use and performance is fine. i've collected hundreds of vocal techniques for on the walls and creating my own data sets my own collections of voice to then create new phrases, new expressions. so they were versions of me that are not me singing. and that is something i find very, very fascinating. the idea that we can create 2nd selves something that we can interact with and learn from that is from us. but no us terry yet because worked closely with digital technology for 15 years for fusion, be trained as a i with over a 1000 hours of his vocals. life beat boxing melted with you

digitally altered and looked vocals with the help of the i explores the limits of the human voice. i feel like my ability to unlock my voice. i've been able to control my voice in a way that has never happened before. and is that level of control and that level of expertise in my hype, especially it is, and i very much. oh, to how i embrace working with machines. the dancers of the live sleep valley react to impulse is given by us with assignments hitting their bodies in motion. the valley shows her in human concrete art together. the, the systems are the $200.00 a human potential which can be beautiful and can be exciting, and it's very much, it's a stay. and i think we should lean in and understand and help younger generations know how to use this power appropriately. instead of covering our eyes and is and

pretending it does not exist when it comes to experimenting with new text, the else book state data is a real trailblazer. here you can see industrial robots as ballet, dances or entire operas in v off for you can dive into arguments as reality. this q r code is concealing a world of serial adventure. leonora carrington's production and funnel knocked him, takes place in oak mental reality. outlook state theater is taking the stage to the city streets with this radical new production the queue arc which are everywhere on the streets, on postcards and online. because of him, spend anything state or heart the same body, or as loud dying a ticket or choosing an access to this you can just experience the theater in the city. benjamin site makes it happen, is 3 d models make the stage for the actors were recorded in front of a green screen into d. that introduces an interesting challenge for them. the

ones i get from the beginning of the 5 of you can call you can most really on the space in the studio, we have the challenges. moving on a 2 d plane, i'm in, we were acting with a green screening and had only ever seen the set is a 3 d model in the monroe as id, more than a disease. and another project, ellsberg state theaters performing the opera f. opportune. but this time as an interactive game of item 1st and the transaction will become a v r game. and so since i arnold shin, there's offer of x because a 360 degree walkable environment on it says that the audience can experience in 1st person, you mcgee buffet, and switch along with the perspective changed, right? let's keep them and they have to sole tasks and that of the piece will be a completely different approach experience and a form for an open the 5 home. some of us know my love isaac, and it's

a new experience for senior sally. do want to redo scans are used to create an avatar then she'll be film singing using face tracking technology. a i software will then project her feet to expressions onto the advertising. the technology that we now have will change. i think a lot in the theater. i would prefer not to be too big because for me it's still important to have my connection with the audience. and it's nice how works program of the future will continue with both conventional and digital productions. the possibilities are endless. coat and for the all works particularly well and seems that a huge seems that would wolf any normal stage having the 4 or so at already did we model the entire underworld virtual realities when the capacity today, the theaters offering 12 productions and virtual reality dens. drama, concerts,

the theater shift, so be our goal is to audiences in germany, in australia. but you can also buy a download and watch performances on your own, your device. the live in the box is full, so there's and lots of interest. and we have a surprising target group. influence is between 40 and 65, steve. it's jacob z. all goes delivered and give them to the parents who around 80, and their own children who are around 21 percent. that means we're reaching a whole family and an incredibly wide range of people, ons and his pulse of on site. and hes on fox sports, the are productions are reinvigorating theater and breaking barriers for audiences everywhere. i think it's a great idea for theaters to reach people who might not otherwise be inclined to go . and it's a wonderful opportunity for those who kind coming person. next up is

a theater in berlin, which has replaced is backed up with hollow graphic projections. the felix is room project uses 3 d scans to bring a so called you wouldn't house on stage in the nazi era, jews who had been expelled from their homes with for us to be relocated to such houses. the play gives an insight into life there, a holographic projection, recreate the room in which jewish couple felix and a dense lived before the deputation in the 1944. the place felix is room tells the tale of the time here. the couple was expelled from the home by the nazis in 1942 and assigned a room and a so called a union house. the projections show was it was like that. felix is great. grandson adam guns tells the story. it's belinda are in sambal fietta and that is from the protagonist, including a sketch of the room,

in spite of the walk to hold on plastic balconies. and then i thoughts, wisdom, i need to rebuild the space. feet. on the 50 foot station i knew it was possible with lidar scanning technologies, can technologies, so was had switched to the bridges studio scan lab projects designed to the actual set. it took 152 months to recreate the expenses written using his sketches . they use line to technology to create 3 d models from them. of the scans all projected onto translucent cuttings from 5 angles that allows the room to be rotated as desired. but how designed to work in instrument about this size. it sits on a trifold and over the course of between 5 minutes or an hour, depending on the resolution that you're off to it, 5 millions of lazy poses in every direction. so every point that that laser touches

we mock in space and we end up with this really accurate 3 dimensional replica of the space which the scanning speed in the piece gives a unique glimpse into felix and n. a guns has passed as well. fee much and the watching the hustle today is a special guest, sharon handbook and felix, kansas. brand nice is comfortable and especially from australia they wasn't to, you know, some of the scenes are incredibly powerful over the scene and the formula seen when they get smaller and smaller, it really cost to ship it to the nazi era. so millions of jews expelled past acute it, nodded phoenix in a dentist story. it's just one as many, 3 d projection technology is a tremendously powerful tool, giving the audience an intimate glimpse into this heart wrenching stories.

the photographic projections and virtual environments allow for different kinds of personal interaction with theater, opera, and music. in this case, it adds a whole new dimension to a truly moving story. but what about a i? r is something intrinsically human. so should we be using a i for it at all? ultimately, it would be up to the artist, i think that needs to be somehow connected to our reality. but that reality today is one which is increasingly influenced by technology. so why not involve robots in general? to if i want to use think, can i add to the add world without taking anything away? we would love to hear from you. see you next time i

did you know the adjustable one for central research as well. i'm based in african meet the young scientist trying to change this their innovations are re shaping the future of the continent and their chemical reactions. quite the impression on the 7 to 10. next on dw, the view. we'll tell you the story. we have a getting a visa is more difficult than finding gold hosted to use force and present in the stories and issues that are being discussed across the country. news africa in 60 minutes on d. w. yeah. and then what's the problem

or emphasizing the award winning offer is available worldwide. every language level reading gentleman has told me to go hello and welcome to this adventure 7 percent. my name is, edith came on me and today i'm coming to you from a place of pool. lots of nairobi. this episode we want to find out what steps and strides young applicants are taking the world of science. here's what we've got. really young researches from the punch and to find out what it takes to become an actual science.