it’s always my wife who is decisive, whom i call sanovich, 24 years old, and he says: sanya, such things need to be done here, evgeniy sanovich, i’m sure i can, you can, i just ask you, don’t get sick, here in may, don’t pain, i understand, okay, evgeniy, that’s it, we had this conversation.

there, yes, how to do this scene, how to interpret this role there and so on, but i am quite ready for that, because i listen to sasha, and trust, this also does not happen right away, but we have gone through so much together, we are together we studied together, i was a beginner director, and sasha is an aspiring actress, yes, we can say, we saw each other a lot in different situations, in very different ones, both in life, creativity, and trust. it does

n’t just happen, it’s not that we are like that, i’m terribly trusting of everyone and so on, but here, thank god, i ’m happy that fate brought us together there, fate was completely unexpected, but it seems to me for a long time and god forbid you don’t get sick, not only in may, let’s not get sick and be healthy, in principle, i hope we’ll do something else, sasha, you work in dramatic performances, you have experience in musicals, well, of course you have experience. and tv series, the only thing where you haven’t tried yourself yet is opera, as i understand it, but as i understand it, everything is ahead, he believes me, i believe him, because i want to reveal the secret that when we just started rehearsing the cabaret, then there were a couple of arias there that sasha simply couldn’t reach, now that’s all, of the three named movies, drama, musical, so... is there

any of these three that falls on you, how on an actress as a better person, you felt organic in the musical, yes, but i ’ll tell you this, here you don’t need to separate all this, here you need to mix everything into one, because for me the most important thing is art, probably the most important thing is music, for me, this is music, i, unfortunately, am not a musician, i, unfortunately, do not have the full opportunity, yes, but i really love music, and music is very accessible art, yes, you don’t need anything other than ears when you work in a drama theater, that’s very important for me it is important what kind of music is in the play, and sometimes through this i, as a dramatic artist, can express myself, when you have the opportunity to say something to music, this is even more

opportunity, and to sing something along with music is even more opportunity, so i would give everything in gratitude to the music, amazing, amazing, zhen, well , you’ve been working in opera for 10 years, tell me, technologically it’s more difficult than in drama, but for you, i’m a rather structural person, so for me not hard, i understand that there are directors for whom uh... it will be quite difficult, but staging an opera , staging a musical, for example, they are, of course, closer to each other than there is a dramatic performance, according to the methodology, yes, yes, yes, yes, but in a dramatic theater it’s still good when you know, of course, everything, and the scenery is already there, and the costumes are yours, but when the performance is born together with the artists and today this scene can be solved in this way, in opera there is no such possibility, in opera , of course, you work with a large team, and you have to perform the entire performance... a year before

starting rehearsals, you can already come up with an idea, the problem is that in a year you can come up with another performance, but you’ve already got it staged there, yes, i mean. when you participated and - worked in a cabaret, this is an industrial flair, yes, when you need it like this, you need it like this, you need it at this time, you need it like this, that is, there is no possibility, there is practically no possibility of any backlash in time, but we had an industry only in part...