galina well, you hide behind your back, because they only look at you. go to the background. please leave, so here, thank god, this is the role due to the fact that i wrote it. she became so bright that the advertisement of this film was only with me. but today the directors will watch our podcast. well , you know by chance, everything in life, you accidentally saw it and say, lord, i'm a fool, it's been 5 years already. let's look like that, and you are not muscovites. and yana we came to enter the institute with three kopecks. are you in hostels? lived and i wish lived without money. yes, we did not know what would happen after the institute, there were periods when there were no roles, men abandoned us. true, that is, there is nothing like that in the biography of faina georgievna, so that i can go straight with russia and i would say, my god, how she survived it. i would not have survived, but my own sister lived abroad, in my opinion in romania yes, in

the bourgeoisie of romania on the ground, then in paris he sent parcels. well, something like that, yes, but, but from a very rich family. and she had an excellent upbringing and languages. ah, that is, them had a good action, my god. she once overheard. e that dad said that she was not yes, i know a million girls, about whom one of the parents was once, as we said. here, maybe yes. i became an actress, uh, she came to moscow from barnaul and said, jackdaw. i don’t understand why you are not being filmed. here churikova is also terrible on her filmed in a movie. he is galya - beauty beauty. no, it's well, that's what churikova was for me. uh, the queen is a beauty and an actress, but my mother, that she is not, what did you say to your mother? and i can't do anything to say she treated me like that. well , please, because of this, then they didn’t get married, because you were in the complex eating nibbles,

because men loved me, you know? well , you understand, that is, well, someone got us all and fell. and how can a man drive guys into the complex. well, it's just, uh, i 've heard that from my husbands. i think it's different. i would just go out the window, i mean, she was special. i don't think it's because she 's been through something like that in her life. these are her biographies. eh, from her some words became e, look for this very nature of her such. e to wild giftedness, but in fact, it seems to me, this is loneliness. it would be her choice. and i know who the girlfriends who are single, but it did not become such a tragedy that tells. yes, because the person chooses it. so, he is ready to exist in this and he likes it, you know? this choice of this loneliness is a kind of, as it were, motivation and, uh, talent. here she

was nourished in this loneliness. she nurtured her talent in this. there is tragedy in this drama, but this is her life, and she like it, of course. let's be honest, the family takes away a lot of strength and energy, i need to say that the more and between the famous , the more it is not unraveling and the reasons for this popularity that is still going on, but she really, apparently, she has some kind of secret, because what events. they really touched us all, nothing out of the ordinary lost my son there, uh, i don’t know in the hole. e, jumped, they got her out of there and became like e according to the ostrov actress. i think, well, well, yes. well, probably some kind of dissatisfaction. she is at we all exist. it seems to me that i am such a cut. well, i don't even have one award, er, there isn't. well, there are a few,

by the way, she received awards for the best performance by a ranetka on stage. and this is an international theater festival. here, i'm just and it doesn't matter, but i still want that and the fifth tenth, and there these here, uh, funeral accessories, which she called these orders and medals, their whole pillow, indeed, they became state. such awards and what is it? it's not just it's not just i remember when we became the winner of everything union competition with yan orlazorov shared one prize. it was enough for us to buy a bottle of cognac there for about 15 rubles. and this, uh, this is money, this is 100,000 150 admitted, yes, yes, he said. and that's why he says, uh, about whom the actor about zharov, yes, he says, whoever he plays always plays the same way, but changes the makeup. and here she says, farida georgievna seems to be without makeup, everywhere there is a difference all the time. that is, she was admitted to another case, which is true. she couldn't play ophelia,

you know, but there is such a ball, antennae stick on a beard, but anyway it is always clear that this is an artist zharov but the artist koronevskaya never sticks anything, but anyway, this podcast is always very different. and larisa guzeeva, my guests were galena, olga finished with a crest. thank you thank you creative industry podcast and with you again today roman pockets elena kiper and our guest is a large circus dynasty represented by two brothers edgard and askold. and

askold e people's artists and both are headed by each in their own part, the big moscow circus. that's right edgard ceo. yes and how much artist is the place of the circus now in our country, what is it like when the pandemic happened? and quietly, quietly , our viewer was released, so to speak, to freedom and allowed. there, at first, in the department , there were restrictions of 15%, 30% for visiting 45. so gradually we saw how the viewer to us was not what was coming. he runs there and there was already a fight for each ticket, because there were very few of them, as soon as they were opened. uh, hall people here after well , almost a year old, yes, simple in in the literal sense of the word, began to storm curds and not only the large moscow church throughout the country, therefore every time when

people sincerely hate the circus , they begin to say that we have it is a relic of the past. this is no longer interesting to anyone. art is all a certain form, and imposed by such self-deception, the circus continues to develop , someone says that this is our merit with my brother , forgive me for such an immodest, uh, announcement. well, because we constantly talk in public space we say the word circus, we pronounce it, we defend the interests of someone, uh, he thinks that, well , really, some kind of western pressure has decreased a little, and we decided to uh, return to the circus in social networks. and, in my opinion, the only ones here are the circus, there really pours the truth, the thing is still bright. i, if a lot really, here is the question. here's how to make a hole. eh, it is very difficult for a long time

to find the root causes. of course, this is generally the relationship of the state and the people to the circus as a whole, that is, and these are interdependent things. that is, if before the most important of artificially. there were cinema churches and people understood the significance of the circus as a universal art, but that with time. that's just from the moment the soviet union collapsed from the ninety-first year and so on, and he lost his position due to simply not being ready for such a situation, that is, he was thrown on e, such a peculiar artists were exclusively performers, that is , all people who creatively engaged in the circus. they are used to the fact that there was such attention, it simply disappeared, and the position was lost and over time, a stereotype has developed due to the outflow of personnel, but because a lot of non-professionals came to the circus, who were comfortable creating a very simple image, namely this conditional art only for children. and someone thought. it's just a farce and it has become convenient for many. and for someone it

was just a helpless position. because of this, respectively, as if the relationship has changed very much, er, and the state has peoples, and this happened further down the steps and, accordingly. as if misunderstanding at all, what is a circus, that is, how much it is, and not just bright, like art, how important it is to you, because the significance of the circus, well, first of all. uh, the significance of the circus is that it's a mass art. and what is called pop art. yes, that is, a huge number of people come to the circus, and regardless of the faith of confession of age. e some of their views of social status. that is, absolutely anyone can be here, if he walks with great pleasure, and the circus has no, in fact, borders. a therefore, the circus can be used as a spectacle, as just a bright picture that entertains and gives an opportunity in time. there, roughly speaking, some heavy. uh, political situations just come unload. and

when you need to influence. uh, this could be absolutely festival art. this is an art that uplifts the spirit. why because it shows the here and now or any spectator who came and you personally witnessed it, however recorded. it's not a special effect. it's really happening in front of you you see the achievement of the human body. you see the achievement of teamwork. you see the interaction between a person and an animal, you see everything for real , because of this it inspires you very much, but at the same time, of course, the key point is quality, if the quality drops, then everything that we are talking about is lost and accordingly happens . uh, the perception is completely different and comes to the point that people once in their lives go to the circus and are disappointed, and then they go at all, that is, here i did not want to shift the blame to the fact that this is everyone is solely to blame, except for the circus, because the circus, including hmm, the future is confused, we have lost ground. but awareness now it just comes, why because there is a demand, firstly for your product, that is, when you are not

just a consumer of something that comes with e from other countries, when you need to create something, and the circus base is very powerful, both material and proper. human and therefore this school, which can be said for years was built for decades, and it allows you to create. and well, ultra-quality things are the experience gained anyway, as it were , the merit of western partners there, so to speak, strangely our partners. yes, in that of course they taught us how to use certain technologies. that is, be that as it may, by showing themselves high-quality products, they inspired us to do what we can too, and of course, when all this is in general, the totality makes the circus relevant when it is already shown at the level of not just, but links to past. here's how in the soviet time. and the fact that now maybe, so to speak, using any of the most modern technologies in everything, but plus this, so to speak, fundamental point, uh, namely, the quality of performance tricks is unattainable for most western and,

in general, well, any countries, but foreign and , strictly speaking, also a creative basis, which can also be added to create an emotional background. you know i can personal experience. for some time we suddenly began to brag that in the same place almost every day there is such a thing every other day an elderly woman is sitting. uh and well, constantly often and somewhere in 6-8 submissions we sent administrators. well, get to know her. it turned out that the woman was left alone, she even began to think about suicide, that is, circus therapy. yes, and she said, she says, i've decided to go somewhere for the last time in my life and lay hands on myself. she says, so now i understand that i am charging you in the literal sense of the word. yesterday i met a girl from belarus and a little little girl there or well, seven, probably eight, who has been fighting cancer since the age of 4, a bald

girl came. and that's when the doctors told her that you now need something to recharge. she says i will go to the circus. we made tickets, and now it is clear that the child has become a child again. this year he was talking about an elderly woman, and once upon a time a letter came to me. e from a young girl who wrote very emotionally. and it happens. people are different with oddities, as it were, and it was evident that a healthy girl. so she said that she was in her, as if about there, in my opinion, twenty i was old, and at the age i wanted to commit suicide for her too, as it seemed to her at that time to be the most extravagant act, and before laying hands on herself, she said when i went. i just rethought everything. i realized how important it is to live, looking at you, speaks to your enthusiasm for your art and so on. i say, then at night i rode a car all night in some kind of emotional outburst and says more and more of these thoughts. you do not arise, and for what it us thanked, therefore the forces of the circus. she

certainly can be underestimated, you know? i 'm not saying, of course, that this is literally literally therapy. as such, yes, but probably anything that evokes emotion. everything that evokes, and everything that evokes feelings. well, i don't know what impulses are. it certainly can be therapy for many it's a lifeline. well, therapy too, but this movement of clowns volunteers who go to hospitals and help raise, yes , and this is a well-known phenomenon. in fact, it is in great demand and people. it gives a lot of things, which, as clowns, do it all, therefore, we often make traveling performances about in centers. um, where can children not be taken out? well, that is , every artist in the circus has a superpower that allows you to see what is beyond the human capabilities of almost all heroes. it seems to me. well, the circus is a hardworking art here too. uh, if

you're not used to plow, well, you won't succeed. honestly, i said, yes, that's why here, uh, those people come here who want to prove something, overcome something, and moreover, at the same time they understand that it is very difficult. it is just necessary to devote a lot of time to this everything that a person who has never been. i'm sorry, i lost everything. no, well, there are such people, there are many such people among teenagers, of course. i was in german at the german circus, so where is er. they refused to use work with animals, which means that they sank very badly. immediately , they stopped selling. they began to invent some forms. but how is it anyway? well, drag the people here and quietly quietly came to the conclusion that now they are performing porn tricks. and i just see that

they, in their thinking here, are very severely mutilated people who, refusing one thing, immediately offer something that, in principle, could not even be voiced once. and to this they are quietly quietly to everything and have a banal degradation. yes, i have it there for some criticism of the canadian circus or the world's most famous distances, but i did not once emphasize that this is their clowning, which goes away from such classic humor. well, let's call it alyaks of novskogo, you know , acceptable humor, when you can play a joke e somehow play tricks on each other, they go away vulgarity very much go vulgarity. that is, you understand that they don’t want this, but somehow you still need to amuse the audience. and what is the simplest thing is to joke, not a spike train, it turns out that the viewer also starts, well, somehow get used to it, get used to it and continue on this. somewhere to be brought up, or something, and as a result, here is

consciousness. well a whole whole culture. i think yes, because the trend is the trend uh changes to what look like a lot of vulgarity. now began to appear in the whole culture. but you know that there is actually e here, and a chain reaction, including i will give you an example in las vegas, where i repeatedly came specially to watch a variety of shows, and there was a recently closed show called a dream or a dream , as you wish, and this for me was one of the best shows i've ever seen technological smart use of uh, performed by the director's show. franco dragons. they, unfortunately, too calm and when i was on this show for the first time many years ago. ah, i watched full houses, then the show was simplified and the last time i was there, and

20 percent of people sat on the show. i thought, well , probably, maybe, just roughly speaking, such a stream of spectators now and then came on the same visit to another show, which was called absinthe. and this show is just such a tavern, type, when everything is greatly simplified in the auditorium. you are sitting on some dirty wooden chairs. and all this under the awning of such a cheap chapiteau a in the center scenes here, well, no more than the place where we are now with you and the simplest numbers work on it, and somewhere a little eroticism and two leading e with obscene jokes. bitkovy sold out with e overfulfillment of the plan by the expansion of the state. uh, the second show from the same team opens at the places where just past shows close. and it's all for booze. it's all under excuse me, so to speak, smoking. and i, looking at everything. i understood this

about the degradation of the public along with those content producers you understand, because, uh, there are two ways in my mind as a director, and which once many years ago is already about, soon 20 years. eh, they started doing major shows at luzhniki and the opinion of colleagues was repeatedly asked questions. why are you doing this? difficult? well, make it simple, because in fact it works like that. it will be easier for everyone and it will be easier for you. i say there are two ways, one - it adapts to the audience, and the second is to educate it. and they are two completely different paths. if you fit in audience then slowly slipping? why because it’s easier to satisfy needs if they instinctively understand to make uh it will be funnier if you’re joking now, but you lower the degree, this level, that’s art, as such, and the dates go to some, so to speak , entertainment,

so to speak. uh, as some say, well, this is not a movie. this chewing gum is good when it exists in a certain segment. it must be a simple movie, it must be a simple circus, but segmented, as soon as it starts to turn into the so-called maine, here degradation begins. it's the same as talking about a circus without animals. you see, when people say that the cec is without animals, how the form should take the place of the circus, as such it is the same as we will talk about the fact that comedies should replace all cinema, why can’t this be done? well, on the one hand. why watch drama? why do we torment the shower? let's look and say something that pleases cheers solar fun pink. and so on, but the fact is impossible, why? because life is multifaceted and the relationship between a person and an animal is a natural environment, because we live all on the same planet, and the circus and other forms in which this is present is a demonstration of the possibilities of current achievements. and so on. she can't.

delete it cannot be denied. you cannot replace. it's the same thing we 'll ever say. and why study with a person, but a person is torn, breaks, and so on. let's have robots and that's it. well, or roughly speaking, e movie avatar is wonderful cinema is technically real, after all, it is perfect, but are we now ready to watch a movie without actors, in principle, will it be a movie? or we will watch cartoons, you know, but from the point of view of technology, it seems that technology has grown, yes, so to speak , it is, but we are deceiving everything. you see, when we watch the dumbo movie, it’s the movie adaptation that, under the cartoon, i, uh, somehow one lady, when she tried to argue with me in general on the subject of the relationship between man and animal. she brought me. nice you have to watch the movie dam to understand how animals need to communicate. i say the girl is a computer elephant who understands human speech from the first word and flies on her ears. you understand that this is fake, it 's not real, but technology. roughly speaking, she deceives a person so much

that she begins to believe in it and the person is no longer in reality. how much do you have more about it. hey, do you understand pain? why because no-no no way it's all just really, really of all questions in terms of art, both inferior and circus it is a wonderful question to understand. it's just, uh, did he ever set himself the west at all, but the educational mission as the goal in general and or am i such circuses. it was understandable. this is real. it was the same spectacle always and there. this woman you know our cardinal differences, that they left the market for a long time. and we came to him, there for the last 20-20 years and uh, the educational cultural part of them has been missing for a long time. that is, they are all earned and earn. was she

ever there at all? well, that is, it was they who went to someone refused. here, let's take it. uh, one of the most famous american circuses that has existed. there are more than 100 years of the church of the romans, brothers a. they turned around one day. and they have, in principle, to my surprise. i dreamed of being in this circus. why because since childhood, again, the children of the nineties watched on video cassettes. we thought it was a miracle. and when i arrived, the first time. i was very disappointed. why because my old heeski cassettes and what i saw through there were actually the same thing for 25 years .

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internet mobile internet beeline became double on your side issued tinkoff platinum issue a credit card before march 31 and get free service. living forever we continue our creative industry podcast hosted by roman pockets, and away. we have people's artists edgard and askold zapashnye but you don't post your programs. you can't see them anywhere. tell me interesting, my brother and

i can boast. my brother and i can boast that we are over 40 years old. we are folk artists. we enter all sorts of governmental, so, uh, we have committees and our show has never been shown by any federal channel. we on television can cook, eat, box this bykov , run away from anything from anything, but dance to dance. yes, you have become brighter, apparently, than a circus. well, because it exists. you know a certain stereotype, what a cheese is , well, such an unformatted and non-rated art that is unlikely to be appreciated by the viewers of the television audience, although it was channel one that proved this. reverse uh, centenary anniversary of the company rosgosstrakh was repeated already three times, because each time it was many times more for the public. although initially, while we persuaded few, who believed we had made a huge number of shows

of the most different ones. as a suggestion, that is. or maybe you don't like this format. and let's here we have a show about vampires. we have musicals. we have thrillers. we've got comedy. we've got classic dirtime. we have a show dedicated to certain holidays, and a show dedicated to the world cup needed. listen, we recorded all this in high quality and went with this proposal everywhere and very often. one of my girlfriend. diana togosova. and she said so, hearing a conversation like that. she asked says. and how much really, just like that, i say, here you want dian paradox, not a single streaming service , not a single tv channel, just categorically does not take. she says yes, and friends on one of the main streaming services in russia let me propose, i say no problem. can you send me. i say send today sent her all the commercials. all layouts all take some 2-3 weeks. she calls me. how much does he say? i

don't understand anything. i say uhm. they looked at everything. everything was said. e no. i'm talking about the reasons explained, she says no, and you have some celebrities taking part in the circus, for example, who may be coming out. here but we sang uh, larch in this case. it works it works, but is it necessary, but is it necessary? you know, cleanliness is not the point. yes, look how we always navigate back. and look, sometimes they shoot from a film without a single popular actor , just the races and the people went there and we are just orienting ourselves. for some reason, all the time , all the time, there, now, if they succeeded there, i think we ourselves are afraid. will that's where the channel marketing stuff goes on. now, if someone is suddenly behind the screen, now i'll say ok, this is one explanation, it's because you have animals and so on. we even have a circus without animals , we have a creative industry podcast elena

hyper. a novel of pockets. our guest people's artist of russia and i have a few personal impressions of this. i was in the circus as a child, a little later i visited the circus by chance in gelendzhik . for the number it's true , maybe yes in this house you know, i said that the church is an industrious art and yes, e is not the highest paid and as he said of his time. nikulin crazy people work here. in to some extent, uh, it's true in highly professional artists earn well, some earn very well another thing is that in the general mass. yes, the average salary. she remains average.

that is, well, only people who are devotees remain an airplane so you can’t risk your life. if you don't love fanatically, then how do you enjoy it. you know, as a director, i often have a problem when, well, a person deliberately risks his life, and you try to persuade him not to do. well, in the literal sense of the word , you promise that you will be on the lounge. yes , i promise everything 100% rises, because it takes it straight, unfastens it goes down. he asks what he's talking about, she doesn't interfere. seriously. yes, this is how to deal with it sometimes. uh, well, you just can't imagine the possibility of a lot of extreme sports. it's just that people are confident people enjoy themselves. and the most important thing is that they see that the viewer is treated too. uh, in a different way , he unfastened one thing on insurance, and he has a degree. uh, interest full respect for him. this is where they change a lot. there, the glow in the hall changes

instantly, and it is charged from this. he enjoys it. we held the international circus festival idol and came to us. uh, an american acrobat who decided to set a record, a on the largest unicycle. and so he brought with him an apparatus almost there 9 m. when i looked at this apparatus, which weighs under 100 kg, but one wheel is really one wheel, he climbed there, uh, and swept on the lounge. i say well great, great, i think, well, every time he speaks on the lounge, but i will go without a villain. and then i say, wait. what do you expect? i say, from such a height with such a huge heavy apparatus and you fall, it’s impossible for you to catch you, not one. it won't climb at all, because you fall from 100 kg of bullshit. and he says, i'm very confident in myself and that's it, and he went really really did a few. yes, that's what to work. you know, listen to all the psychological

portraits of a circus performer, he is also very specific why because if you are here has already come, then you have passion for certain achievements, further competition gives rise to certain levels. that is, if everyone is doing the same thing, then you can't stand out among everyone. you have to do better anyway, and then the risk starts, you know? i mean, it's a rare genre in the circus that doesn't involve risk, so there 's actually uh, it's changing. dna no no. it's not like that, just listen, it's not like that, it's just, well, it doesn't matter what we're going to talk about, in general, outstanding athletes and even athletes who compete for the title outstanding athlete. they are all psychics. no. it's just a certain type of people who are bold about their own lives , they challenge both themselves and society, that is, they show achievements simply, but if we take sports and the circus with you, it's close enough. eh, so to speak, well, forms, but simply one is art, which

clothes the achievement still in art form. and sport is a demonstration of achievement in its purest form. that's all, so now you need to come to the circus. there are people out there born. yes, your dna was born already . you have one generation, second, third. dna is an important issue for me. i'm afraid not to ask him. just like the father of the children. so, who also took me to the circus as a child, if i got to a bad performance with children, i personally also got into it. there was a moment, i will never go again, i never took my children there and did not take them until some very moment, and they have already grown up. yes, here's what to do if i got into such a situation now. well, sometimes they ask for advice there young directors of young producers. still, we are successful in the church. i say guys, we have one very big problem that protects us very much from the cinema and from the theater when we go to a bad movie. we are talking about this film.

uh, this performance is nonsense, but when people go to a bad church, they say cheese circus is nonsense, not a specific show, not a specific person, and then the person, the next day goes to another performance by another artist, to another movie, and with others, uh, but the circus can no longer walk. that's what you've been saying for years, so i'm saying it's very important for us not to disappoint the public. so when i went to church as a child, i was left with the impression that this was some kind of set of numbers, but one day i got to las vegas, and i found david copperfield uh-huh and it struck me that it was not just a dove that appeared or something hero arc story, it's a narrative. these are scenarios of a great performance in which here are doing so, when you compose your programs, how are you? how will we surprise? what story are we going to tell? where does it start new program? here, uh, my brother and i shared the producer and the director and his ideas,

uh, that he can brag about. they must have a time and a place, and so often we begin to discuss with him. and what next performance should we do and we set ourselves two tasks. the first thing is that this performance should remain in order for it to be a family visit, so that everyone who comes to us remains satisfied. the second is for people to take something away with them, because often people are like that emotions. he will start home. today i saw clowns zapashny these games , it will be very difficult to enumerate everything further. and what and there is no main. eh, basic idea huh? yes, yes, nothing. well, therefore , for the last 15 years, askold has clearly set himself the task that every time he must sow some thought, and now, uh, most of our colleagues, there and including. uh, there is a second circus in moscow, absolutely nikulin, too. he began to change

his strategy, too, already moving from the form of divertissement, what you just said set numbers in the form of a performance, in order to communicate with the public already, so to speak, when the performance is over, so that people come home, discuss something and it didn’t come across. i liked it i didn't like it for the cause not for the cause. but the lawsuit e tell me your opinion. but let's go there again, and let's see if i didn't catch something , or vice versa, i liked it very much. we need to go again. some kind of little mermaid here in the circus, that's the story. yes , we have done a lot now, and as you know, the story was adapted there by sadko or camelot and so on author's stories, there is the mistress of the dead lake, 1 2 4 5, that is, every time some interesting things with immersion, and this is already in the truest sense of the word, but a synthesis of a musical, cinema theater, circus and sports. this is what we can definitely brag about. the circus depends on

money, probably nothing at all can be with one extreme. that is, you can invest an infinite amount of money of some mediocrity to decorate it and it will be beautiful attire and with beautiful decorations. but if he can't portray anything, then it's all the same there will be a failure, therefore, in general, in principle, it seems to me that any art is the harmony of the harmony of everything and, in fact, uh, rather a circus without money. can u survive than uh, money without a circus. that's how i would say, that is, if a person shows tricks, e, he can show it in simple swimming trunks, but for the time being, because if someone creates competition and the same artist, who is just in front of you in swimming trunks, you gave out some wonderful tricks, and also decorate it very beautifully, and invest in it money. it will also be special effects of the scenery and around a huge number of people will create additional scenes, of course, it will be more interesting, more advantageous, you know, so here. but you asked about

the performances. i began to engage in performances, that i had some kind of passion for the performance. we did a variety of shows, as i said , experimented with all possible formats. and here the point is that any art should be relevant, and if the relevance lies in the fact that there are technologies that can improve, then this you understand, and money here is just equivalent to the very economy in which everything exists. and if there is an opportunity to do something expensive. but it's like talking about blockbusters in movies now. can they survive against the backdrop of, roughly speaking, a different economic model of streaming services. and now, a litmus test, there was just the release of the second avatar. yes , you know, for sure, it’s the same in the circus here, that is, as if the circus should all the time. to feel, as i consider theater and cinema, and so on, to feel the current audience, because you can overfeed the blockbuster. for example, i am a fan of cinema, but recently, to my own surprise , i discovered that this no longer pleases me, that is, conditionally, just an abundance of special effects. it

doesn't evoke any emotion in you. i want the soul and suddenly you realize that you want to look much more so simple. let the movie in terms of visual design, but, in which there will be an acting game, so to speak, where there will be acting, so to speak, the presentation is such that it will touch your soul, and therefore roughly speaking, a return to some forms , but it is also possible to control it, that is , you can first make a large number of, uh, performances, then understand that the audience is tired of this and return to the same divertissement. the most important thing is quality. in 50 and 100 years the circus will exist. if so, why, despite all the technology. yes, i believe that any living art will exist. vow while there is a man, because our work with you is literally priceless. uh, when they suddenly announced that there in the german circus uh stomach?